Own Karen Sparks’ unique ceramic Storyteller Doll named Talula

I put the unique ceramic Storyteller Doll named Talula that Karen Sparks made for the cover of “Be the Music : How Tori Amos Does it,” up on my Authr crowdfunding site as a premium.

Be the Music book cover

I have loved Storyteller Dolls since I first saw one. I bought one to display where I write to remind me that what I need to stay focused on is telling the story. Storyteller Dolls were invented in New Mexico in 1964 by Helen Cordero of the Cochiti Pueblos. The idea of an elder passing the ancestor stories down to the next generation instantly made sense when I saw a doll, and it is important to me.

My long-time friend Karen Sparks is a wonderfully creative artist who is talented in many media. I first saw Karen’s work in person in 1999 after meeting her online the year before, so I knew how amazing her work is. Long ago she said she wanted to do the cover and maybe other needed art for this book, and I was happy that she said she still wanted to do it when I asked her. One day as I was brainstorming to come up with a cover design for “Be the Music,” I glanced over to the shelf by my turntable, and flashed on what I wanted the main design element to be.

I asked Karen if she was up for making a ceramic Storyteller Doll. Lucky for me she agreed. I suggested maybe the hair might be an orange, corn needed to be in the design, and maybe some pianos would be involved; Tori Amos and many little girls who play piano tell them their stories, so it makes sense that pianos are among the doll’s listeners. With Tori’s 1994 b-side “Frog On My Toe” in mind, in which her late, beloved grandfather she called Poppa has a conversation with her and shares some of his Cherokee wisdom, I’m sure Karen found putting a frog on the doll’s toe irresistible. We went back and forth in email and sharing photos for weeks, but all the wonderful elements and detail of execution are Karen’s.

Karen named the doll Talula. Talula: front. Talula: back.

Once we had Talula, we needed to figure out an overall book cover design. Again Karen wanted to do the art, and I had the kernel of an idea: let’s put Talula in front of a backdrop of mountains near Taos where Under the Pink was recorded in 1993. I found a photographer who makes such photos and sells them online, and she is a librarian, to boot. Lisa made some new images of mountains near Taos for us and we chose one. Then I extracted Talula from the background of the professional photographs Karen had gotten made of her, presented Karen with a mock-up design, then let Karen be Karen to choose fonts and do a final design. It turned out Karen is as talented with Photoshop as she is with other tools. I hope you are as pleased with what Karen created as she and I are, and that you will be inspired to learn more about my book project and support its completion.

Now that Talula has given her all for the book cover, it is time to let her go. I created a premium so you can donate to be able to own her on my Authr crowdfunding site. Talula is approximately 6½ inches tall, 7½ inches wide, 9 inches deep from the bottom of her feet to the rear hem of her dress, and she weighs 1,229 grams [2 pounds, 11.4 ounces]. As a fine work of art, she isn’t cheap, she’s $5,000, but there are premiums going for as little as $2 on the site.

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Own Tori Amos art prints for my book “Be the Music” by Karen Sparks

Tori Amos art prints by Karen Sparks

Tori Amos art prints by Karen Sparks


My talented friend Karen Sparks is allowing me to offer up to 12 signed and numbered copies of a four-color art print she made of Tori Amos back in 1998 to help me raise money so I can continue to write “Be the Music.” This is how Karen describes these prints:

On July 28, 1998, Tori Amos performed during the Plugged ’98 tour at New York City’s Madison Square Garden. I took photos from first row, center, and created a silkscreen print with cyan, magenta, yellow, and black. I edited the print to include a censorship bar over her crotch. I made approximately 25 of these. Tori Amos has one.

These are printed on expensive heavyweight paper, the size is 22″ x 30″ and the print area dimensions are 15 ¾” x 26″.

Karen and her Tori car, 1999Karen tells me the prints she is allowing me to offer are numbered 4 through 15. These have the typical minor variations from one to the other which exist due to the handmade printing process. Each of these will ship within days of your making a $50 donation to help me write “Be the Music” via my Authr fundraising site.

And remember to see my offer for $2 digital photo downloads of Karen’s ceramic Storyteller Doll sculpture named Talula here: http://wp.me/s48QmJ-dolls

Storyteller Dolls information and premiums

book uncropped-10-percent


I have loved Storyteller Dolls since I first saw one. I bought one to display where I write to remind me that what I need to stay focused on is telling the storyStoryteller-doll-on-shelfStoryteller Dolls were invented in New Mexico in 1964 by Helen Cordero of the Cochiti Pueblos. The idea of an elder passing the ancestor stories down to the next generation instantly made sense when I saw a doll, and it is important to me. My long-time friend Karen Sparks is a wonderfully creative Karen and her Tori car, 1999artist who is talented in many media. I first saw Karen’s work in person in 1999 after meeting her online the year before, so I knew how amazing her work is. Long ago she said she wanted to do the cover and maybe other needed art for this book, and I was happy that she said she still wanted to do it when I asked her. One day as I was brainstorming to come up with a cover design for “Be the Music,” I glanced over to the shelf by my turntable, and flashed on what I wanted the main design element to be.

I asked Karen if she was up for making a ceramic Storyteller Doll. Lucky for me she agreed. I suggested maybe the hair might be an orange, corn needed to be in the design, and maybe some pianos would be involved; Tori Amos and many little girls who play piano tell them their stories, so it makes sense that pianos are among the doll’s listeners. With Tori’s 1994 b-side “Frog On My Toe” in mind, in which her late, beloved grandfather she called Poppa has a conversation with her and shares some of his Cherokee wisdom, I’m sure Karen found putting a frog on the doll’s toe irresistible. We went back and forth in email and sharing photos for weeks, but all the wonderful elements and detail of execution are Karen’s.

Karen named the doll Talula. Talula: front. Talula: back.

Once we had Talula, we needed to figure out an overall book cover design. Again Karen wanted to do the art, and I had the kernel of an idea: let’s put Talula in front of a backdrop of mountains near Taos where Under the Pink was recorded in 1993. I found a photographer who makes such photos and sells them online, and she is a librarian, to boot. Lisa made some new images of mountains near Taos for us and we chose one. Then I extracted Talula from the background of the professional photographs Karen had gotten made of her, presented Karen with a mock-up design, then let Karen be Karen to choose fonts and do a final design. It turned out Karen is as talented with Photoshop as she is with other tools. I hope others are as pleased with what Karen created as she and I are.

I’m offering a premium of a variety of ten detailed close-up images of Talula for just $2 (I’ll email links to you soon after you donate), and a poster based on the book cover for $50. Soon I expect to put the Talula sculpture itself up for sale as a unique collectible. Thank you to anyone who can help me make my long-researched book a reality.